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Your Room Analysis Report
Overall verdict
Your room has significant acoustic issues that are likely affecting clarity, balance, or reverb control.
Biggest issue
Estimated RT60 ≈ 5.76 s indicates very long decay smearing transients and speech.
First thing to fix
Suspend 100–150 mm mineral wool/fiberglass clouds 150–250 mm below the ceiling, covering ~30–50% of the ceiling area, concentrated over the recording/listening zone.
Room Score
This score reflects how balanced and controlled your room sounds. Higher scores mean better clarity and fewer acoustic issues.
Summary
Here's a clear breakdown of what’s happening in your room:
Very long decay (~5.8 s) with strong low-frequency dominance and suppressed highs. Clarity is poor; space sounds boomy and dull. Requires substantial broadband control (ceiling and corners) plus hybrid surfaces to tame low–mid decay without further killing highs.
Acoustic Profile
Reverberation
Low-Frequency Buildup
High-Frequency Reflection
Clarity
Issues Detected
Excessive Reverberation
Estimated RT60 ≈ 5.76 s indicates very long decay smearing transients and speech.
Low Frequency Buildup
Low–mid energy ratio ≈ 1.51 (lows 13.94 vs mids 9.25) suggests boomy, modal-heavy response.
High Frequency Deficit
High–mid ratio ≈ 0.063 (highs 0.58 vs mids 9.25) indicates loss of presence/air and dull tonality.
Poor Clarity
Long decay and weak high frequencies reduce intelligibility and detail.
Uneven Decay
Likely frequency-dependent decay: lows linger while highs die quickly, causing tonal imbalance over time.
Treatment Recommendations
Ceiling Clouds Baffles
Placement: Suspend 100–150 mm mineral wool/fiberglass clouds 150–250 mm below the ceiling, covering ~30–50% of the ceiling area, concentrated over the recording/listening zone.
Why this helps: Largest surface to reduce overall RT and early reflections without consuming floor/wall space.
Corner Bass Traps
Placement: Install floor-to-ceiling traps in all vertical corners; add wall–ceiling corners if possible. Use 200–300 mm thick porous traps or membrane hybrids; ensure airtight corner fit.
Why this helps: Targets modal buildup and long low-frequency decay indicated by elevated low–mid ratio.
Hybrid Panels First Reflections
Placement: Left/right sidewalls at first reflection points, front and rear walls around the primary position. Use 100–150 mm broadband absorbers with slatted/FRK facings and 50–100 mm air gap.
Why this helps: Controls early reflections and low–mid reverb while preserving some high-frequency energy.
Large Surface Absorption
Placement: Treat large bare walls with multiple 100 mm panels spaced 50–100 mm off the wall; for windows use ceiling-to-floor heavy curtains with 100%+ fullness.
Why this helps: Reduces overall decay time and flutter potential across mids without over-deadening highs.
Rear Wall Diffusion
Placement: Install 2D diffusers (QRD/skyline) on the rear wall above ear height; combine with absorption below if space allows.
Why this helps: Improves spaciousness and clarity after absorption, avoiding further HF loss.
Floor Reflection Control
Placement: If floor is hard, place a medium-pile rug only between source and mic/listener; use felt underlay.
Why this helps: Tames early floor bounce without broadly absorbing remaining highs.
Layout Adjustment
Placement: Position mic/listener 35–45% of room length from the front wall, away from corners; avoid exact midpoints in height/width.
Why this helps: Reduces excitation of dominant modes and improves low-frequency consistency without construction.
Verification And Iteration
Placement: Re-measure RT60 and band decay after each treatment phase; aim for RT60 ≈ 0.3–0.6 s (use lower end for speech, higher for music).
Why this helps: Prevents over-deadening; confirms that low–mid decay is adequately reduced while highs remain present.
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